Great to see my portrait of Theresa May in "An A-Z of text and textiles in The Embroiderers' Guild Magazine May/June 2018.
Thrilled to be featured in Australian Homespun monthly magazine, June 2017 issue, page 22.
What a fantastic year!
It began on Her Majesty Queen Elizabeth II birthday with an invitation to exhibit the royal portrait in the window of bespoke tailors Meyer & Mortimer, Mayfair, London. The portrait then toured to Smalley's, a Gentleman's outfitters in Nottingham for the official celebrations in June, followed by an invitation to attend a street party at Bakewell Old House Museum, Derbyshire. The royal portrait made from names taken from a Derbyshire War Memorial then spent the summer at Derby Museum, where residents were thrilled to find WW1 family names in the artwork. Finally in 2016 the portrait was selected for exhibition at the prestigious Bishops Palace, Wells, Somerset. It was here that Camilla, Duchess of Cornwall viewed my work hanging amongst the historic portraits in the Long Gallery.
Also worth mentioning is my portrait of Sir Winston Churchill, a collaboration with three of Churchill's selected outfitters on Savile Row and St James, London. Known as Britain's 'Best-dressed PM' Churchill's portrait toured to the three windows in the Autumn of 2016.
My work also appeared on BBC FOUR MAKE #craftbritain in June and in several newspapers and publications including Country Life Magazine and The Radio Times. 2016 concluded with a commission for Bromley House Library, an artwork to celebrate 200 years of this amazing library in Nottingham Market Square. Please feel free to visit the library to view the work in the new reading room.
I am now looking forward to 2017, and to sharing my work as new projects and exciting collaborations evolve.
Best wishes for a happy and prosperous new year. Joy Pitts.
Artist-in-Residence at Erewash Museum 11th September – 31st October 2015. This residency provided an opportunity for me to present a body of work to the specific community that generated the material to produce it. The response was overwhelming and over the seven-week period I received over 600 visitors.
For 15 years I have gathered used labels from local charity shops, unpicking labels from the neck of rag garments. The 30,000 used labels in this collection have all been gathered from the High Street; therefore local residents were once walking around in these garments. This 15-year project proved an excellent way to engage a local audience, both in terms of presenting my work and in supporting their local Museum.
The work allowed visitors to reflect on historic local garment manufacturers such as CHARNOS and DAKS, also shops that no longer occupy the High Street including Burton, Woolworths and Adams. Context lies within the detail of the work. Not only in the design of superseded labels in which we can observe the passage of time, but also in the unexpected detail which tells a story.
The award winning ‘Dairy Cow’ made up of 5,000 used garment labels, was on display in the window at Sue Ryder to accompany the exhibition. At age eight Sue Ryder was given two Jersey cows and subsequently began her own dairy herd, which grew to twenty-four. Young entrepreneur Sue sold the milk and butter from the door and scrubbing her dairy was her favourite job.
What would Sue Ryder think of this Dairy Cow assembled from 5000 used garment labels, all generated through charity donation on the High Street? ‘Dairy Cow’ has been described as ‘an extravagant rescue of fashionable waste’ and in the current global milk crisis offers the viewer a strong sense of community.